On fiction books to help you learn more music

Music snobs are constantly on the lookout for new music and are willing to look anywhere to know more and to hear that new song before anyone else does. These books offer a lot of music lists, music suggestions, and music mentions that may help you expand your musical knowledge.

All book summaries taken from Goodreads.

• Nick & Norah’s Infinite Playlist by Rachel Cohn and David Levithan - “It all starts when Nick asks Norah to be his girlfriend for five minutes. He only needs five minutes to avoid his ex-girlfriend, who’s just walked in to his band’s show. With a new guy. And then, with one kiss, Nick and Norah are off on an adventure set against the backdrop of New York City and smack in the middle of all the joy, anxiety, confusion, and excitement of a first date.
  This he said/she said romance told by YA stars Rachel Cohn and David Levithan is a sexy, funny roller coaster of a story about one date over one very long night, with two teenagers, both recovering from broken hearts, who are just trying to figure out who they want to be and where the next great band is playing.
  Told in alternating chapters, teeming with music references, humor, angst, and endearing side characters, this is a love story you’ll wish were your very own. Working together for the first time, Rachel Cohn and David Levithan have combined forces to create a book that is sure to grab readers of all ages and never let them go.”
• Heavy Metal and You by Chris Krovatin - “If Nick Hornby had a metalhead little brother, he'd write a book as clever, music-drenched, and observationally direct as this, Christopher Krovatin's rock-solid PUSH debut, now in paperback.
  Boy listens to lots of loud music and hangs with his friends. Boy meets girl. Boy falls dippy-happy-scared-as-hell in love with girl. Friends meet girl -- and aren't impressed. Girl meets friends -- and isn't impressed. Boy meets big dilemma. Boy plays music even louder. Big dilemma meets big, complicated resolution.
  With humor and heartfelt observations, debut author Christopher Krovatin strikes some very loud chords about life, love, sex, and friendship.”
• Supergirl Mixtapes by Meagan Brothers - “In Meagan Brothers's Supergirl Mixtapes, a music-obsessed girl travels to New York City to find herself.
  After years of boredom in her rural South Carolina town, Maria is thrilled when her father finally allows her to visit her estranged artist mother in New York City. She's ready for adventure, and she soon finds herself immersed in a world of rock music and busy streets, where new people and ideas lie around every concrete corner. This is the freedom she's always longed for—and she pushes for as much as she can get, skipping school to roam the streets, visit fancy museums, and flirt with the cute clerk at a downtown record store.
  But just like her beloved New York City, Maria's life has a darker side. Behind her mother's carefree existence are shadowy secrets, and Maria must decide just where—and with whom—her loyalty lies.”
• The Vinyl Princess by Yvonne Prinz - “Summer is here, and 16-year-old Allie, a self-professed music geek, is exactly where she wants to be: working full-time at Berkeley’s ultra-cool Bob and Bob Records. There, Allie can spend her days bantering with the street people, talking the talk with the staff, shepherding the uncool bridge-and-tunnel shoppers, all the while blissfully surrounded by music, music, music. It’s the perfect setup for her to develop her secret identity as The Vinyl Princess, author of both a brand-new zine and blog. From the safety of her favourite place on earth, Allie is poised to have it all: love, music and blogging.
       Her mother, though, is actually the one getting the dates, and business at Allie’s beloved record store is becoming dangerously slow—not to mention that there have been a string of robberies in the neighbourhood. At least her blog seems to be gaining interest, one vinyl junkie at a time….”
• High Fidelity by Nick Hornby - “Do you know your desert-island, all-time, top five most memorable split-ups?
  Rob does. He keeps a list, in fact. But Laura isn't on it - even though she's just become his latest ex. He's got his life back, you see. He can just do what he wants when he wants: like listen to whatever music he likes, look up the girls that are on his list, and generally behave as if Laura never mattered. But Rob finds he can't move on. He's stuck in a really deep groove - and it's called Laura. Soon, he's asking himself some big questions: about love, about life - and about why we choose to share ours with the people we do.”

If you’re really looking to expand your music knowledge, I suggest this book. Bob Boilen interviews musicians and asks them which songs influenced them the most. It definitely taught me a bunch of new stuff.

• Bonus: Your Song Changed My Life by Bob Boilen - “From the beloved host and creator of NPR’s All Songs Considered and Tiny Desk Concerts comes an essential oral history of modern music, told in the voices of iconic and up-and-coming musicians, including Dave Grohl, Jimmy Page, Michael Stipe, Carrie Brownstein, Smokey Robinson, and Jeff Tweedy, among others—published in association with NPR Music. Is there a unforgettable song that changed your life? NPR’s renowned music authority Bob Boilen posed this question to some of today’s best-loved musical legends and rising stars. In Your Song Changed My Life, Jimmy Page (Led Zeppelin), St. Vincent, Jónsi (Sigur Rós), Justin Vernon (Bon Iver), Cat Power, David Byrne (Talking Heads), Dave Grohl (Nirvana, Foo Fighters), Jeff Tweedy (Wilco), Jenny Lewis, Carrie Brownstein (Portlandia, Sleater-Kinney), Yusuf Islam (Cat Stevens), Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jackson Browne, Valerie June, Philip Glass, James Blake, and other artists reflect on pivotal moments that inspired their work. For Wilco’s Jeff Tweedy, it was discovering his sister’s 45 of The Byrds’ “Turn, Turn, Turn.” A young St. Vincent’s life changed the day a box of CDs literally fell off a delivery truck in front of her house. Cat Stevens was transformed when he heard John Lennon cover “Twist and Shout.” These are the momentous yet unmarked events that have shaped these and many other musical talents, and ultimately the sound of modern music. A diverse collection of personal experiences, both ordinary and extraordinary, Your Song Changed My Life illustrates the ways in which music is revived, restored, and revolutionized. It is also a testament to the power of music in our lives, and an inspiration for future artists and music lovers.”

What musical books would you suggest to learn new music?

Series Review: The Underland Chronicles by Suzanne Collins

Before The Hunger Games, there was Gregor the Overlander, one of the most wonderful, delightful, and dark children’s books I’ve had the pleasure of reading. When my little brother handed this to me in 2005 or 2006, demanding that I read it, I wasn’t expecting much. I should have known better - he has fantastic taste in books (though he doesn’t read as often as he should these days) and always seems to know what I’ll like. We quickly became Underland fanatics, getting our hands on each sequel as soon as we could and staying up far later than our parents approved of to discuss the plot and our predictions. When the final book came out, my brother was vehemently outspoken about his dislike for the ending and stated that he hated the entire series (it’s now been almost ten years and he maintains that the ending ruined everything for him). We respectfully disagreed on this point.

Since then, I’ve probably reread the entire series at least five times. It’s beautiful and brilliant and I can’t get enough of it. When I left for college, I asked for a box set of my own since I couldn’t take the family copies with me (also, they’re all falling apart from being well-loved and well-read by all of us). I’ve forced these books onto several people and have tried to convince several others to give them a chance.

In saying all this, I’m trying to let you know that I’m pretty biased - I absolutely adore these books and I don’t know that I’ll have anything critical to say about them. They’re basically perfect.

To start off, they’re beautifully written. While I don’t like everything Suzanne Collins has written, I can say that she is a talented author and that she deserves the limelight. The descriptions are well done, the word choices are excellent, and Collins has a distinct voice when writing. “The Underland Chronicles” are written for children, but Collins doesn’t talk down to the reader at all. She esteems the reader as an equal and writes as though she’s speaking to a peer rather than a child.

With that attitude, Collins opens the door to handling some rather difficult topics. Gregor, our hero, isn’t perfect and wonderful and superb. He’s actually not someone you’d want to be. When the series starts, he’s the one running the household, watching after his sisters, and trying to stay positive even though he’s a very sad and very confused eleven-year-old boy. Gregor has a tough home life in some non-traditional ways for fantasy - his family loves him and they are close-knit and try to be happy, but the circumstances they’ve found themselves in makes it difficult for them to function as well as they want to. For a children’s book, this is rather heavy. In addition, throughout the series there are several moving and heart-breaking character deaths that are handled with care, though not with condescension. Collins again handles these situations as if writing for a more mature audience, trusting that her young readers are able to handle tragedy. For my brother and I (and our younger siblings, who probably started this series when they were 8 or 9), it was hugely rewarding to be trusted with such serious topics at such a young age. Some parents I lent these books disagreed, feeling that these books were too heavy for young children and held off on suggesting it to their kids until they were older. I was glad that I was able to deal with heavy topics at a young age because this gave me a chance to connect with the world around me more. When Gregor witnesses attempted genocide late in the series, this gives a vivid example of something that young readers will be hearing about for the rest of their lives and makes world tragedies seem more real and accessible.

Collins also makes sure that the adults she writes aren’t perfect. I’ve read too many children’s books that show the adults as all-knowing and all-powerful, which is how children sometimes feel about their teachers and parents. Several adult characters are shown throughout the series to be well-meaning, but deficient in some ways or misguided in others - and not in a “this is a stereotypical adult in a fantasy series” way, but in a very flawed, human way. Gregor is forced to learn who to trust and this gives the reader a chance to do this in their lives as well. This series shows that adults make mistakes and that sometimes, children know what’s right better than the adults. This is shown somewhat humorous throughout the series when Gregor doesn’t believe the prophecies that many Underland adults hold dear. Gregor stands alone in this conviction and is somewhat torn by it until he receives validation from an adult who’s important to him. This doesn’t even happen until the end of the series. Not only does this give the reader a chance to learn that they can (respectfully) disagree with grown-ups, but it shows children that grown-ups often disagree with each other. And that’s okay.

The characters in this series are phenomenal. As I stated before, they’re imperfect and frequently don’t know what they’re doing. People disagree in mature (and sometimes immature) ways, but they can come back from this. We see characters dealing with trauma and disappointment in surprising ways. By the end of the series, no character is the same. Each important character has learned hard lessons and has changed in dramatic ways. And they’re all so human (even the non-human ones). These characters are relatable without being Mary Sue’s or flat and uninteresting. Each character is complex and diverse and memorable and has a surprising depth for a children’s series.

The plot also has a depth that is not seen in many children’s books. In addition to being somewhat heavy, it’s obvious that Collins knows her world and is just giving the reader a taste of it. The plot moves along well and incorporates so many different aspects and areas of the Underland - giving the reader the opportunity to learn as Gregor does. The conflicts throughout the series are intriguing and attention-grabbing and the various plots and subplots stay with the reader long after the series is over. The issues and dilemmas the characters grapple with are so pertinent in 2017 - racism (though it looks more like specism in the series), wars, corrupt politicians, spies, political divisions, etc. It’s a complex series with a complex plot and complex themes - again, Collins is putting more trust in children’s ability to grasp these concepts that most children’s authors do.

Writing this makes me want to read them again. Maybe I’ll rope my brother into reading them with me. And maybe this time, he’ll feel differently about the ending. Maybe he’ll buy his own copy of the series and will love them and read them to tatters like we did growing up. And maybe he won’t this time. But I’ll keep hoping.